Last night I accidentally discovered a whole new Teriyaki Donut called Gypsy Punk. It's a new musical movement out of the Russian area of New York that mixes Slavic styles of music with punk rock. The band that I hears play it is called Gogol Bordello. They opened for Primus in Berkeley.
Gogol Bordello is led by a tall, thin Romanian guy who wears green tights on stage and plays gypsy-style acoustic guitar. He's backed up by a full rock band, an accordion, a fiddle player and these two girls who occasionally run out on stage to sing back up while dressed in biker shorts and shirts and wearing skateboarding knee and elbow pad protection. They all dance a mix of the punk-style pogo stick and the line dancing that's often featured at Jewish weddings. Very strange to see.
The songs all have a heavy Slavic beat to it and use a mix of Romanian, Russian and English. The English is broken, as the lead singer has a very thick Romanian or Russian accent, but also sings with a Tom Waits-type grovel on top of it.
Lyrics include lines like "Upon arrivin' in the melting pot, I get penciled in as a goddamn white," "And you see brothers and sisters, all engaged in sport of help, making merry out of nothing like in a refugee camp," and "Start wearing purple for me now."
Oddly enough, the combination works really well. In some ways, they sound a bit like the early Pogues, which mixed Celtic and punk. They put on a heck of a show, although it's one of the strangest performances I have seen in a while.
Take the time to check them out. I purchased their album "Gypsy Punks Underdog World Strike," which I absolutely have no idea what it means. But my daughter and I listened to the album twice on the way home and they can add us as their newest fans.
2 comments:
Thanks, Ruth. Since I had never heard them before last night, I'm still learning. :0
It's still cool to see such incredible culture clashes.
I don't know if this one's a "culture clash". Punks and the Roma have a lot in common when you think about it because both cultures are built around being "others" or "outasts".
I do know that a lot of Klezmer musicians frequently go back and forth in bands playing Eastern European folk and brass music.
Sometimes, I think we're the ones who try to apply the labels and then act amazed when musicians and other refuse to conform to them.
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